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The Nth Sense.

 

Some historical articulations of the 'inner senses', and some suggestions for revisiting and remediating them in practice

Speaker: Dr Mark Paterson.

 

 

This talk will briefly outline two conceptual strands, before attempting to link them through practice. Firstly, the recent ‘return to the senses’ within the social sciences and its historical context. The haptic (e.g. Paterson 2009) becomes a nonoptical means to consider how somatic sensations, including the lesser-discussed senses of kinaesthesia (movement) and proprioception (bodily position in space) may be explored. While discussions of forms of ‘inner touch’ that complicate the Aristotelian five-fold model of the senses have occurred throughout the Early Modern period (e.g. Heller-Roazen 2009), there are implications for returning to the body in social science fieldwork, including the literature on reflexivity. The return to the senses is a return to a reflexive form of embodiment that takes account of the inner senses.

 

Secondly, given the difficulty of identifying such somatic sensations, how they might be represented or remediated through ethnographic text or film places a burden on the powers of sensory media and metaphor. The representation of inner senses might complement a turn to ‘haptic cinema’ in film studies (e.g. Marks 2000, 2002; Sobchack 2004), or Sarah Pink’s urban ethnographic work which deals directly with the senses. Nevertheless, I will argue, reflexive embodiment that accounts for the inner senses might explore creative and experimental means to capture embodied, mobile modes of encounter with place. My main example here will be film-making for an upcoming international field trip. By developing these often-ignored aspects of ethnographic place-making, I therefore consider approaches to capture the multisensory flow of field-based experience in practice as well as in theory.

Pecha Kucha:

 

  1. Harriet Gifford - (Masters candidate University of Kent) "Haptic Visuality in Film"

  2. Angela Stocker - (Masters candidate UCA) "Sculpture plays the tactile game but please do not touch."

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22nd May 2014

Dr Mark Paterson

Mark Paterson is in the Department of Communication at the University of Pittsburgh, and has an interest in blindness, touch, and technologies of the senses. He has conducted research on the use of haptic technologies within museums, the role of haptics in human-robotic interaction (HRI), and the role of the bodily senses within ethnographic fieldwork. He is the author of The Senses of Touch: Haptics, Affects and Technologies (2007), and co-editor of Touching Place, Spacing Touch (2012). He has recently completed Seeing With the Hands: Blindness and Philosophy After Descartes and Diderot (In Press), and his next contracted book is entitled How We Became Sensory-Motor for Penn State University Press. His research website is www.sensory-motor.com.

 Visit my website

Funded by University of Kent Graduate School Experience Awards.

© 2014 Harriet Gifford.

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